You can still donate to Leukaemia Research online at http://www.patrickdoyleconcert.co.uk.

Here's what was played at the concert...

Much Ado About Nothing ("Sigh No More Ladies," Overture, and "Pardon, Goddess of the Night')

Indochine ("La Derive")

Gosford Park ("String Folly" and "The Way It's Supposed to Be")

East-West ("The Land")

Sense and Sensibility ("My Father's Favorite" and "Weep You No More Sad Fountains")

Hamlet ("In Pace" and "My Thoughts Be Bloody")

Harry Potter and the Goblet of Fire ("Harry Potter Waltz" and "Harry in Winter")

 The world premiere of the Rosalind Violin Concerto (based on themes from As You Like It)

Calendar Girls ("I Find Your Love")

Carlito's Way (Elegy)

Henry V ("St. Crispin's Day" and "Non Nobis, Domine")

Encores:  "Strike Up, Pipers" from Much Ado About Nothing and "The Creation" from Mary Shelley's Frankenstein

Here's another review (with a bit of photos and video) from a concertgoer (Part 1 and Part 2 of review).

Isabel has passed on a great photo of folks onstage at the event!)

Kenneth Branagh's As You Like It will be released in the U.S. and U.K. after August. There is a new trailer for the film available which features some of the underscore. From the production notes for the film:

The music is written by Academy Award-winning composer Patrick Doyle, who met Branagh as an actor back in the 1980s with the latter’s theatre company Renaissance, and has collaborated on seven of his films. Doyle also plays the part of chief court musician Amiens in the film.

Doyle’s starting point for the score was the music he wrote for three songs in the Renaissance production of As You Like It. These are Under The Greenwood, Blow, Blow Thy Winter Wind and It Was A Lover And His Lass. “Fortunately, they were very loosely based around the pentatonic five-note scale, which is Japanese,” recalls the composer, “So I was ahead of the game!”

As part of his preparation, Doyle watched Kurosawa’s Throne of Blood, which was based on Macbeth. “In fact, it wasn’t that far removed from what I was going to do in that it was a fusion of east and west. So I thought, ‘Well, if that’s totally acceptable in a Japanese production, I’m on the right lines’.”

Doyle wanted to give the film a Japanese feel musically without ignoring the fact that the Dukes and their courtiers are Western. He made the decision to surround the three songs with Japanese instruments. “So, for example, instead of the harp, we have the koto, which is like a very reedy harp,” he explains.

There's no date announced yet on a CD release for the score. 

1 Camille  02:15
2 L'erudit / The Scholar 03:01
3 Les symptomes du fleau / The Symptoms of the Plague 01:13
4 La longue nuit / The Long Night 04:29
5 L'archaeologue / The Archaeologist 01:55
6 La mort en marche / Death Approaches 02:15
7 Le solitaire / Lonely Thoughts 01:55
8 La maison du mystere / The House of Mystery 02:26
9 Adamsberg & Marie 01:57
10 Le semeur / The Sower 02:55
11 Mort a Marseille / Death in Marseille 01:34
12 Chasse a l'homme / The Chase 02:34
13 Africa 03:31
14 Revelation 02:20
15 Le crime et l'enfant / The Crime and the Child 01:44
16 La coupable / The Guilty One 05:10

1. Eragon
2. Roran Leaves
3. Saphira's First Flight
4. Ra'zac
5. Burning Farm
6. Fortune Teller
7. If You Were Flying
8. Brom's Story
9. Durza
10. Passing The Flame
11. Battle for Varden
12. Together
13. Saphira Returns
14. Legend of Eragon
15. Keep Holding On (song)
16. Once In Every Lifetime (song)

Wah-Wah

Director Richard Grant is interviewed about the film at Comingsoon.net and comments on Patrick's music.

Varese Sarabande will release a score CD for Wah-Wah on Nov. 14. 

 
TRACK LISTING:
1. Swaziland (2:16)
2. Lauren Leaves (1:51)
3. Train Away (3:20)
4. The Key (2:14)
5. The Shooting (1:34)
6. The Bridge (2:31)
7. Fabulous News (0:47)
8. Monica (1:13)
9. Goodbye Swaziland (3:02)
10. Independence (1:33)
11. Months to Live (1:44)
12. Harry Dies (1:32)
13. Ngatsi Ngisahamba (1:46)
14. Please Forgive Me (3:46)
15. Wah-Wah (6:19) 

The second part of this guide is now available. 

Soundtrack.net mentioned the score as among their top 10 for 2005.

Seven tracks from the Harry Potter and the Goblet of Fire score are included on Silva Screen's latest compilation album, Music from the Harry Potter Films (Silva Screen SILCD1206).  The CD also includes John Williams' music from the first three films.

The score for Harry Potter and the Goblet of Fire has received the "Best Original Sci-Fi/Fantasy Motion Picture Score of the Year" award from the International Film Music Critics Association.  It was also nominated for Best Original Motion Picture Score and Patrick was nominated for Film Composer of the Year.

The latest issue of Music from the Movies (48/49) has very lengthy interviews with Patrick and director Mike Newell where they discuss the Harry Potter score and film, the scoring process, and their working relationship (which began with 1993's Into the West). 

Patrick is not only scoring the film, but will also be a member of the cast (playing the role of The Admiral).  The website for the film is now available, along with an article about the film in the Glasgow Daily Record.

In recent months Patrick has (briefly) returned to acting and singing! He was offered a featured role in Kenneth Branagh's latest Shakespearean adaptation of "As You Like It", an experience he thoroughly enjoyed.

Obviously, he's written the score for it too.

Advance screenings of the film (without completed music) indicate there's some Much Ado About Nothing-esque singing and dancing...not surprising since the play contains several musical interludes.

Here's  a nice overview of the film and a brief interview with Kenneth Branagh about the approach taken to Shakespeare this time around:

"There are two central themes in the play -- one is romantic love, the other is getting away from the rat race... The late 19th century period in Japan was one in which they were going through the process of moving from an agricultural to an industrial nation and so they let Westerners in and also sent thousands of their own people to the outside world.  Our world in the film is meant to revolve around one of those treaty ports which existed in the Meiji period... In many cases the people [Europeans] went native, would wear the clothes and even practice martial arts."

A lengthy (and illustrated) interview with Kenneth Branagh in the Telegraph reveals more details about the film.